I needed a scale. I probably could have done without a scale, but after I decided it was

important that I needed one, it became urgent. It's a bit like deciding you want a cigarette when you don't need one nor have any, then becoming fixated by the idea and having to travel miles to find one. I've done that also and I've discovered that if you buy cigarettes singly i.e. not the whole pack, they're referred to a 'loose straws'. It's a fairly good description of the irrelevant urge that becomes relevant - a loose straw. Well the scale was a loose straw if ever there was one. But this became a very loose straw. It wasn't just any scale that would do, it had to be one of those old cast iron ones, with hanging weights that you would expect to see in the back of a hardware store around
50 years ago.
I found the exact scale I was after but it was missing the weights. The

local scale company had a reconditioned similar unit for R
1650, but the the scale I had found was only R
300. However the weights alone were over R
650 and including the service costs made buying the reconditioned scale less. This made it clear that it was more important to find the weights than the scale. So I went in search of weights and fortunately

found the whole package for R
500 but it looked bad. It was a functioning unit that had been used by a local scrap dealer to weigh scrap. It was the scale that started the business and there was a sentimental attachment that required me to pay a premium, not that I paid much anyway.
Well a rusty old scale imposed itself upon the solitary rule of iPod's and
Mxit in my daughters'

holiday and they were hauled off to sand, polish and paint metal, something they had not even seen in the movies. It was quite impressive and the

transformation was stunning. The transformation of the scale that is. I learnt quite a bit about scales as we stripped it beginning with the fact it's not made out of cast iron. But it's still cool, rugged and interactive. The putting on and taking off of weights is a therapy of sorts and far more satisfying than jumping on a bathroom scale that just spits a number back at you. So impersonal.

The scale was put to immediate work. The paint was barely dry before it was bearing down the load of a wheelbarrow of soil which weighs in at a comfortable
73kg excluding the wheelbarrow itself. This number is fairly crucial since all measurements will stem from this number including the amount of roadstone, lime and oxide (colour) that will be added to the mix. For two weeks I had been carrying around several bags of red and black oxide in my car during my hunt for the scale. They were a nagging reminder to build the final test wall and explains why the paint had not dried on the scale before we put it to use. I had planned on mixing the powdered oxide into the wall to add a bit of character to the look of the house. Like everything in this project, it is 100% experimental and we had absolutely no idea of

the outcome. Again we did a lime mix but we did not have the roadstone so we expected slightly different properties to our earlier wall. Our test form is also taking a bit of a battering since we have not been treating it very well so our intention was to appreciate the look and not

necessarily the quality. During the mixing, the added oxide certainly changed the colour of the mix. When damp everything takes on a different colour but there was no mistaking the change in colour. We added
1kg of oxide for every wheelbarrow of soil so it's just over 1.3% by weight. I am planning to include two colour seams into the walls of the house, one around sill level and the other around lintel height. The lower one could be an earthy red and the upper one could be a charcoal grey. This would give me a bit of flexibility with colour matching of windows and shutters and would break up the single colour monotony of a poorly planned wall. The result was quite surprising. The light is poor as it is in shadow so the picture does not do it justice. Also, the colour is still not right as the wall is still damp and the dark tones will brighten up quite a bit. It is not a zebra. But with a little bit of imagination it is quite inspiring and the best accident is this:

we randomly mixed a seam of black and red (the top one) and we worked out how to break up the perfectly straight lines of the rammed earth lifts. We want it to look accidental and not perfect and by roughly and unevenly layering colours (without raking) breaks up the straight lines and makes it look more natural.
Now I just need to get some technical advice on the effect of oxide in lime and if it's negligible, then we can happily confirm that this is our final test wall. It's well positioned to face the rising sun and hopefully will greet it for many years to come. And I'm sure the sun will be pleased with such a greeting every time it comes to Africa.